Artistic Africa

Paschal Ugwu

Nigerian based VISUAL ARTIST

Paschal Ugwu, born in 1996 in Orba, Nigeria, is an artist based in Abuja. He holds a degree in Fine Arts from the University of Nigeria, Nsukka. Paschal specializes in expressive figurative painting, working mainly with acrylic on canvas, as well as charcoal, pastel, and oil on paper and canvas. His distinctive style features unconventional figures, often with exaggerated eyes and a single ear, reflecting human emotions, personal impressions, and everyday life. He has exhibited his work in shows such as Uplifted Spirits, participated in the Rele Bootcamp residency, and featured in the Plus 234 Art Fair. In 2023, he was a finalist for the Kuenyehia Art Prize.

My work reflects emotions of curiosity, resilience, vulnerability, and strength. After losing hearing in one ear as a child, I became more reliant on visual cues—a perspective that shapes my art today.

The figures I paint, with their exaggerated eyes and single ear, represent how I experience the world. They invite deeper connection and remind us that perception is personal and varied. Through form, texture, and color, I capture often-overlooked moments, celebrating the beauty of seeing and feeling life in a different way.

University of Nigeria, Nsukka_ Bachelor of Arts_ 2014-2018

2025: solo exhibition, organised by KAC Gallery of Fellow Artists, NYC.

2024: participant, +234 Art Fair, Lagos State, Nigeria.

2025: participant, +234 Art Fair, Lagos State, Nigeria.

2023: finalist Kuenyehia Art Prize, Accra, Ghana

2021: participant, bootcamp by Rele Art Foundation, under Rele Gallery, Nigeria.

2025: participant, “To Have and To Be” group exhibition organised by Nomadic Art Gallery, Abuja.

2025: Solo show organised by KAC Gallery of Fellow Artists, New York City.

2024: participant, “Boom” group exhibition organised by Alexis Gallery, Lagos.

2024: participant, “Advancing Human Rights Through Art”, Artvocacy Forum 2024, organised by UN and Windsor Gallery, Abuja.

2024: participant, “A Thin Line” a group exhibition organised by artists, shown at Dela Roke Art Gallery, Port Harcourt.

2024: participant, “Survive and Thrive” group exhibition, organised by Windsor Art Gallery, Abuja.

2024: participant, “Nigerian Bar Association 20th Anniversary Conference”, a group exhibition organised by Windsor gallery, Abuja.

2024: participant, “Uplifted Spirits”, a group exhibition organised by Soto Gallery, Lagos

2024: participant, “VVS” organized by Ifeanyi Nwune, a group exhibition at Kokopeli Gallery, Lagos.

2024: participant, “Unveiled Journeys”, duo exhibition organised by unx.art, Abuja.

2023: participant, “The Last Act”, group exhibition organised by Thought Pyramid Art Centre, Lagos.

2023: participant, “Undiscovered”, group exhibition organised by Thought Pyramid Art Centre, Abuja.

2023: participant, group exhibition organised by Arnheim Collection, Ibadan.

2023: participant, “Run Through Walls” duo Art Exhibition, organised by Art Roost Gallery, Nigeria.

2022: participant, “The Mispredilection of Aboye: a marriage of literature and art”, under A Whitespace Creative Agency (AWCA), Lagos, Nigeria.

2020: participant, “In Time like This”, group exhibition, Orange Gallery, Calabar, Nigeria.

2020: participant, “The Manifesto I & II”, Nnamdi Azikiwe Library, University of Nigeria, Nsukka.

2018: participant, “Dreams Alive 13, Marlima Basement, University of Nigeria, Nsukka

2018: participant, “Life in My City Art Festival”, Thought Pyramid, Abuja.

2017: Participant, “Walls and Patterns Painting Workshop” by Alliance Francais, Enugu State

Future Leader

I painted this observing my immediate environment, where kids are subjected to face the harsh reality of life due to the rising poverty rate and lack of family planning among some people that they lack control in child bearing, therefore bearing more kids that that they can raise.

Charging Spot II

In our current society, a significant number of individuals, especially the youth, go through moments of depression. These instances have the power to transform a happy and outgoing person into someone who feels sad, withdrawn, and frustrated with life.

Charging Spot I

In our contemporary society, a majority of individuals, particularly the youth, encounter moments of despair. These instances have a knack for turning a cheerful and outgoing person into someone who feels sad, withdrawn, and frustrated with life.

Makama John

One Polka dot at a time

Makama John is a contemporary Artist who works from his home studio in Abuja, Nigeria. He has a Bsc. In Accounting, but decided to focus on art in 2019. His art focuses on the connections that exist between us as humans, and between us and our natural, built and perceived environments. His use of the green colour represents positivity, growth and the power of experience and his use of dots represents the multitude of our interactions and connections. He works mostly with Charcoal, Acrylic and Oils on canvas and Paper, although his process is highly research and experience intensive; and it continues to evolve as his practice expands.

My paintings are an expression of the connections that I find as I journey through life. I find
the connections in the obvious- like our relationships with one another as humans, our
shared dreams and ambitions; also in the less obvious- like in our shared mitochondria DNA,
and our relationship with the environmental, natural and built and how it influences our
choices, actions and objectives.
Growing up with my grandparents, and working on the farm, I experienced the circles of
growth, death and rebirth that keep the world moving. It also taught me to appreciate the
blessings and resources of the earth, and aim to protect and preserve them. The solitude of
farm work also helped me to introspect and to experience the cycles, designs and
connections of nature. These thoughts and process I carry into and interpret in my work, as
a way to connect with the innate feeling of being human, that connects every one of us.
My technique is experimental, geometric and rich in the us of the colour green, which
although abundant in nature is not a primary colour, it is an experience.
As an artist, my vision is to project the positive, the beautiful, the inner expression and
solitude, the spiritual and scientific, all influenced by the beauty and knowledge gained from
growing up in Northern Nigeria where I am from.

In my artistic journey I realised I had forgotten one of the most important reasons why I started painting which is immortalising the people who have affected or influenced my life in one way or the other. I take out time often to paint people who have made a significant mark in my life and artistic journey, this is a portrait of “Krested Hillary” a childhood friend.

Krested Hillary

Size: 18 X 24 inches

Medium: Mixed media on Canvas

Year: 2024

Brother

Size: 42 X 50 inches, Medium: Mixed media on Canvas, Year: 2024

Mr. Smith

Size: 30 X 40 inches, Medium: Charcoal and Acrylic on Canvas, Year: 2023

ANDREW, Alhamdu Yila

Alhamdu Andrew is a figurative painter from Nigeria. He was born and raised in the Northern part of Nigeria. His father is a graphic artist and that introduced him to drawing at a young age. However, it was not until much later in his teenage years that art became a passion and pursuit for him. Despite coming from an artistic background, studying and practicing to become an artist was an uphill challenge he had to achieve through sheer determination and resilience because of several environmental hinderances. He is a graduate of the famous Zaria Art School where he obtained a Degree in Fine Art specializing as a Painter and a Masters degree in Art History. He currently lives and practices as a full-time studio artist in Abuja, Nigeria. Alhamdu has participated in group exhibitions both within and outside Nigeria. He has also had a solo exhibition dubbed “Intimate Notes”. His works continue to be extensions of his many ponderings and contemplations on the human experiences he observes in his environment. And his style of painting gives him the duality of expression both in imagery and handwritten text. Hence, the appellation ‘The Writing Painter’.

I was once asked “why do you love writing?” Interestingly, my writing has extrapolated from my diaries unto my canvas and into my art. My art stylistically is the meshing of imagery, handwritten texts and drawn patterns woven together into this artful tapestry – my paintings. As a painter, I explore thematic stories depicting nuanced moments of youth, courage, resilience, hope, femininity, and openness especially of people of African descent like myself. I mostly work in oils and employ the scribbling advantages of markers to produce my art. I’m fondly called “The Writing Painter”.

Alhamdu has participated in several exhibitions. He was part of the exhibiting artists at the  Mydrim Affordable Art Exhibition (2016) held in Lagos. He exhibited alongside other artists at the  Abuja Open House Exhibition held in 2022. He took part in the online International Art Exhibition ‘Stanza’ by Art Bethak  which featured artists from Pakistan, India and other nations. The exhibition was curated by Zahra Virk (2022). In 2023, he was part of the Made in Nigeria Art Exhibition held in Abuja which was organized and sponsored jointly by the German and Nigerian government.  More recently in 2024, Alhamdu participated in the regional art exhibition titled “Arewa?”  which featured selected prominent artists from the Northern Nigerian held at the Art Museum of the Pan-Atlantic University, the Yemisi Shyllon Museum Lekki, Lagos. Alhamdu also had his first solo exhibition titled “Intimate Notes” at the Nordic Hotel Abuja. This solo was curated by Sor Sen. His solo exhibition received media coverage from both Nigerian Television Authority and Channels TV.

He has had media interviews and coverage such as the interview with Art & Ideas of the Daily Trust Newspaper on March 26, 2023 in a publication titled “My Relationship with my art work is like a Polygamous Dater”. There he shed light as to his art practice as a full-time studio artist which began in the year 2022. He has been featured as a guest artist a number of times in 2024 and 2025 on the Nigerian National Television Authority where he shared his views on Art and the Nigerian Society.

Coming off the heels of his solo exhibition in the last quarter of 2024 which showcased works from 2022 to 2024, Alhamdu has been shut in studio for the most of 2025 producing new bodies of work which are to feature in a subsequent solo exhibition. Until this creative production phase is done before a major exhibition will be organized. Asides commissions and studio sales here and there, it has been mostly a production season this year of 2025.

I'm Just Looking at You

Size: 3×4 ft

Medium: Oil and Marker on Canvas

Date: 2025

Alone with my Thoughts

Size: 3×4 ft

Medium: Oil and Marker on Canvas

Date: 2024

When Yesterday's Gone

Size: 3×3 ft

Medium: Oil and Marker on Canvas

Date: 2023

Kaynan Peter Kayphas

Kenan M. Peter, also known as Kaynan Kayphas,is a Nigerian artist based in Abuja.He was born on 11 June 1997 in Kwara State, Nigeria, but hails from Kogi State.Kaynan’s journey as an artist began in 2018, and he has since participated in various art exhibitions,including the Roadless Travel Exhibition, Let ’s Go Pink (Breast Cancer AwarenessExhibition), Art and Human Rights Exhibition (Montreal, Canada), Holy Art Fair Exhibition(London), and many more. In 2024, Kaynan gained recognition as one of the award- winning artist of the 19th edition of the Embassy of Spain Art Competition in Nigeria. His winning artwork reflected his talent for merging cultural narratives through visual art . Kaynan’s work is characterised by the use of paint and the depiction of figures, portraiture,nature, and symbols. He draws inspiration from a wide range of sources, including history, nature, and old religious literature. His unique style has garnered attention from collectors and galleries around the world, with his first art auction taking place in London in 2022. Kaynan is also a third-generation member of the Elbow Room Art Club, founded on 1 October 2016 in Abuja. This exclusive group, comprising artists with diverse styles and techniques, has nurtured his growth as an artist . Kaynan currently serves as the Secretary of the Art club.

My artistic practice centers around uncovering those
histories that were forgotten,erased,or never properly
told.I am particularly drawn to stories that reveal the
identity and achievements of Black people who were also
part of the cutting edge of human evolution,global culture,
and international exchange.These truths may sometimes
appear controversial, but they are necessary.Through my
art,I aim to awaken something within every Black person
who may not know their roots,just as I once did not.
My personal journey of freedom began when I started
researching ancient records and now I tell these stories
with every stroke of my brush.
My current project is called the Black Re-imagine Series. It
is a celebration of the presence and beauty of Black people
in ancient times placing them in historical contexts across
various countries and cultures around the world. This
series highlights how they thrived, stood out in their
strength and elegance, and embodied virtue, resilience,
and dignity. Through detailed portraits and storytelling
scenes, I re-imagine how our ancestors might have lived,
dressed, and contributed to societies far and wide. It is a
reawakening of pride and a restoration of lost images of
power and grace.
I primarily work with oil on canvas, a medium I deeply
appreciate for its flexibility and timeless quality. It allows
me to build layers, textures, and emotional depth in ways
that connect both the past and present. Oil paint gives my
work the richness it needs to carry the weight of these
stories stories that deserve to be told with care and
intensity. The medium helps me translate what I see in
ancient texts, dreams, and research into powerful visual
narratives.
Ultimately, my aim is to create art that inspires and
restores. I want my work to speak directly to the spirit of
those who view it, especially people of African descent. It is
about reclaiming the narrative and offering a new lens
through which we can see ourselves not as footnotes in
history, but as central figures in the story of the world. My
art is a call to remember, to reimagine, and to rise.

My artistic journey began in November 2017, when I discovered my passion for drawing and
began working as a pencil artist. What started as a quiet exploration of line, light, and form soon
evolved into a disciplined pursuit of visual storytelling. Under the mentorship of renowned artist
Kolapo Olorunyemi, I refined my technical skills and began to develop a distinctive creative voice
rooted in observation, emotion, and the spiritual depth of African expression.
In the early years of my practice, I devoted time to studying portraiture and realism through
daily sketches and commissioned works, gradually building the foundation for my professional
career. My first major breakthrough came when I participated in a local exhibition at the
Transcorp Hilton, Abuja, where I sold my very first artwork to the internationally acclaimed actor
David Oyelowo. That moment marked a significant turning point, affirming my path as a
professional artist.
Since then, my career has continued to expand both locally and internationally. I have
showcased my works in several exhibitions and art fairs that connect contemporary African art
with the global community. In 2023, I was selected to participate in The Holy Art Gallery Art Fair
in London, a major highlight that introduced my work to an international audience and
positioned me among emerging artists redefining modern African aesthetics.
That same year, I also exhibited at the Didi Museum in Lagos, Nigeria, one of the country’s
respected spaces for contemporary and cultural expression. My participation in the Spanish Art

Competition sponsored by the Spanish Embassy in Nigeria further strengthened my cross-
cultural engagement as an artist. The exhibition emphasized dialogue through creativity, and my

work reflected themes of unity, tradition, and shared human experience.
In addition to exhibitions, I have been active in educational and developmental art programs. I
had my first Art Masterclass organized by GIZ (Deutsche Gesellschaft für Internationale
Zusammenarbeit) at the Nike Art Gallery in Abuja, where I was formally awarded for artistic
excellence and participation. This recognition deepened my commitment to continual learning
and artistic innovation.
Currently I am based in Abuja, Nigeria, I continue to evolve as a visual artist, exploring themes
that merge spirituality, identity, and culture. My milestones reflect not just achievements, but a
steady journey of growth, discipline, and dedication to expressing the depth of African creativity
within a modern global context. Each phase of my career has been a lesson in perseverance and
artistic purpose and my vision remains to use art as a bridge between cultural narratives and the
divine inspiration that drives creation.

My current project,Africa in Renaissance is a
painting series that reimagines Africa’s civilization
during the European Renaissance a period
celebrated for artistic and scientific transformation.
The series challenges Eurocentric narratives by
highlighting Africa’s parallel advancements in art,
technology, education, and spirituality.
Through symbolic storytelling, the works explore
great civilizations such as the Benin Kingdom,
renowned for its sophisticated governance and
bronze artistry, and Ancient Egypt, whose
discoveries became bridges between ancient
knowledge and modern thought. Other pieces
celebrate the Oyo Empire’s glassmaking innovations,
Ethiopian Christianity’s deep spiritual heritage, and
Mansa Musa’s historic journey across continents.
The series also honors the University of Timbuktu
(Sankore) as a beacon of African scholarship.
Most importantly,Africa in Renaissance redefines
how history is seen resenting Africa not as a silent
observer, but as a powerful contributor to
humanity’s shared enlightenment.

Africa in Renaissance Series

This piece is one the series I’m working on titled Africa in Renaissance; a series that captures the reality and possibility of Africa civilization, evolution and adventure during the European renaissance era. The set includes Africa as part of human evolution through art,spirituality,invention and government.

Black Samurai

 Inspired from the Japanese

folklore,as the first black man to

become a samurai. He arrived in

Japan in 1579 as a servant of a

Jesuit priest.

Oba Ovaranmi and the Great Wall Of Benin.

The painting captures the untold story of the Great Wall of Benin four times bigger than the wall of china. It also captures the subject who was the last king    OBA Ovaranmi before the fall  of the wall. 

Mfon Udoh

Mfon Udoh is a documentary photographer, cultural storyteller, and social media curator passionate about preserving and promoting African identity. With a degree in Religious and Cultural Studies and a diploma in Broadcast Journalism, she blends visual storytelling with deep cultural insight to highlight the richness of African heritage and spirituality. Through her brand Wakalogue, Mfon explores the intersections of travel, tradition, and identity — telling stories that bridge generations and celebrate unity in diversity. Her work often centers on community-based tourism, festivals, and indigenous symbols, capturing the essence of belonging and shared humanity across Africa. Beyond the lens, she uses her voice to advocate for cultural preservation and self-funding creative ventures, reminding her audience that every journey is both personal and collective.

My art is a pilgrimage through culture,
a dialogue between the living and the ancestral. Through my lens, I gather stories
of spirit, of soil, of people, of community left behind by history. Each shots whispers our roots are not relics. And through my lens, the world gets to feed from African spirituality, cultural heritage, and words from the unsung heroes of our communities. 
Achievements & Awards
Tourism Photographer of the Year (Nigeria) — Recognized for outstanding visual storytelling and promotion of cultural tourism through photography.
 
Gbak Community Development Association — Social Media Star Award of Excellence — Honoured for impactful cultural advocacy and digital storytelling that promotes community identity and pride.
 
Tourism Personality (Quarterly Recognition) — Celebrated for consistent contribution to tourism development and cultural awareness in Nigeria.
 
100 Change Makers on the Plateau — Featured among top creatives and advocates driving social and cultural transformation within Plateau State.
 
 Winner, Wiki Loves Folklore Nigeria — Awarded for excellence in documenting and preserving indigenous traditions through visual narratives.

Threads of Identity. A solo exhibition for cultures in Nigeria.

Jep Tar

Sons of the Moon-
The police of the Mostar festival. They are young boys between the ages of 8 to 15. Their faces are painted in replica of the moon: white circle and a faint brown line.

Burukutu

A local brew found in most Northern parts of Nigeria. This drink is made from fermented grains. It has the capacity of intoxicating if drank so much.

MOSTAR FESTIVAL

A festival of thanksgiving to the god of Moon in appreciation of a successful farming season. At the end of the festival, the harvest season is declared open. Farmers can now start harvesting their produce. This festival is peculiar to the Ngas tribe found in Kanke Lga, Plateau State, Nigeria.

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